That’s what we at WAM (Warren Artists Market) do and have been doing it since our first gathering in 2012. In February 2013, we sponsored an Art & Poetry reception where we poets wrote poems about the art exhibited by hometown artists and read the poetry while standing next to the artwork. It was great! The art and related-framed poems remained in the library (by request) for 2 months!
The artists were the late Jay Person, Wheeler Smith, and Ronnie Williams. The poets were Thomas Park, Sherman Johnson, and me. And so it began.
We hosted FFP open mic nights at the Warren Food Works, moved a few times when they were closed, and came back again. Their crew was always helpful and encouraging, supplying us with food and great liquid refreshments. Special nights were held, sometimes honoring particular holidays, sometimes featuring live music, sometimes dancers performed. Singers performed a cappela. Other special nights were held sponsoring Book Release Parties & Signings. Sterling Cheston added music selections to our events. Guest readers were featured. Often it was standing room only!
We facilitated a writing group at the Senior Center resulting in Chapbooks published; hosted play readings, and held workshops.
WAM began publishing an annual anthology in 2013 with SITTING WITH A DRUNKEN SORCERESS Poems and Prose to invite you, to incite you, to delight you, followed by Life Preserved: Memories An Anthology and INSPIRATIONS, an anthology on Warren County, and THIS I KNOW an anthology. Presently we are accepting submissions for HOME an anthology.
WAM is a writer’s collective and offers after school creative writing-arts programs. It was founded by writer, teacher Thomas Haywood Park.
We continue to grow and improve, to draw participants from greater distances, letting artists and writers know that our door is open and the mic is on.
Category Archives: women’s stories
Reading memoirs, even more so than biographies, are one of my favorite ways to spend my time. I love reading how someone else has moved through life, how they faced problems, overcame them, and moved on. We are basically the same, often face the same difficulties but somehow saw them differently. We have lived in places very opposite, had thoughts so varied from each other.
How does that happen? I want to know what your childhood experiences were, how you moved into your teens and adulthood. Did you have some of the same experiences than me? What was your life like? Come join me in my TELLING YOUR STORY workshop. Here’s the info:
WORKSHOP LEADER: Arlene S. Bice, author of 13 books (2 memoirs)
Saturday, 21 April 2018 WOMEN ONLY! 10 am – 4 pm
South Hill, VA
$65.00 includes box lunch
to reserve your spot now,
send an email for Paypal directions, address of workshop, & choice of lunch
checks accepted, too
LIMITED SPACE ~ 12 women
This will be an intimate group, writing our stories like NO ONE else can do. It’s time
to get your story down on paper as only you can tell it. Your story is unique whether
you want to publish or not, whether you are writing for someone else to read or not.
You will be guided in the best way to make it easier for you. This is a workshop. You
will leave at the end of the day with an outline filled with your memories, emotions,
and images in words. Get to know yourself by writing it out. Be amazed at the person
you are and the life you have lived.
Reserve your spot! Email: firstname.lastname@example.org
TO DIE BUT ONCE- Jacqueline Winspear and WRITING YOUR OWN STORY
This latest book in her Maisie Dobbs series has just as much excitement, tension, human interest, and knowledge about WW II as her earlier books. Like most of her others in the series, I began to read it as soon as it came into my hands. Oh, to find out what was going on in Maisie Dobbs life since her last story! I read it in one day.
In reading about the author, she discusses how, as a child she grew up listening to the stories about the war from her close and extended family. Her family was large with many uncles, each with their own version of what they experienced. This meant that they covered most of the areas involved in the Second World War. The women of the family had their own stories about home life, their volunteer work and the struggles they lived through.
In 2003 her first book in the series was published with the story based during WWI coming from growing up listening to her grandparents talk about their life during those years. The stories included many of the social changes going on in England that would become permanent.
You may not realize it, but your stories of growing up and the stories you heard from your family and their friends are just as important and exciting to someone else as what Ms. Winspear has built a writing career about.
Writing your story, telling it as it happened to you, how you saw it, maybe differently than your siblings, is important. As you write, you will relive moments you thought you had forgotten. Unhappy experiences will be seen and felt differently, healing old wounds as you write.
Writing is beneficial in so many ways whether you write with pen in hand or on a computer. This is the excitement in why I offer workshops on Memoir . . . . Writing Your Story.
MY FIFTH GRADE BUDDIES WITH THE CUSTODIAN. People were a study to me from early in my life. Time moved slower then, giving me lots of time to take note, eavesdrop, and think about the people in my life. Being alone a lot fed that too.
I took tap dancing lessons for about 4 months when I was 7 or 8. I could get there because the bus stopped near the front of our house. It was always the same driver. He promised Mom that he would tell me when to get off across the street from Mr. Tucci’s house, wait until I crossed safely and be sure to pick me up a half hour later on his return run. There were five other girls my age in the class in Mr. Tucci’s basement. I was a klutz much better at climbing trees than tap, tap, tapping. I loved the shiny patent leather shoes with the metal tips that held a penny inside. But the dance routine was too boring. I didn’t belong and never got to perform at the end of the year. The tap shoes went into the drawer in the old oak bureau in the attic.
Athletics were much more my style. With two brothers in the house, I brought home the only baseball trophy. At this time, my one-day-to-be-step-father Joe had brought a bat for my brother Bob. I whined that he didn’t bring me anything. I really wanted a set of paints and brushes. He didn’t know anything about paints and brushes so be took me to buy a baseball glove. I couldn’t get to all my games because Mom didn’t drive and I rarely had a way to get there.
When I was 12 Joe took me twice on Friday nights to watch wrestling matches (not anything he enjoyed) that a friend of mine was in. He thought I liked wrestling, but it was the boy I wanted to see. I promised him I would come see him wrestle. Joe was helping me to keep that promise.
On a summer day I rode my bike several blocks to play with Marilyn. She couldn’t come out to play because she suffered from asthma. Sometimes she was okay enough to play board games. This was my first exposure to the Ouija Board. Finding Marilyn healthy enough didn’t happen often enough to make the long trek out to her house more than once a week. Her parents thanked me for coming, telling me that I was important to Marilyn and the only girl who came to play with her.
Within the year she moved across the Delaware River to Yardley, Pennsylvania. Her folks came to pick me up at home to spend a day with her and then brought me home again. That was just a one-time happening. But it took me to see new territory, opened my horizons, let me know there was more than my neighborhood. It also taught me compassion for the restrictive life Marilyn had to live.
MY HOUSE ON THE CHURCH SIDE
Being different is not the same as not belonging. It may be a cause for not belonging but being different stands alone. I grew up being told I was different, not because of being the only girl in a neighborhood of boys (and I had two brothers, no sisters) but because we were the only family without a father in the house. It was quite unusual in those days and in our neck of the woods.
We weren’t confined to the back yard but allowed to roam as long as we didn’t cross the busy streets that defined the neighborhood. I didn’t have an ounce of shyness in me then, not even internally. That came later when I would have to push myself forward.
A half block up Liberty Street was a neighbor who also lived in a semi-detached house. He owned two lots alongside his house that were planted in vegetables but mostly in flowers. At 7 years old I would stop my bike and talk to him through the fence while he worked. He never encouraged it but he didn’t reject me either. One summer day I asked, “How come I always see you outside working but I have never seen your wife. You have a wife, don’t you? And how about kids. Do you have kids? I’ve never seen any.”
He explained to me that their children were grown up with households of their own and that his wife was very ill and liked to be quiet. I quickly followed up with, “Why did you build a swimming pool if you don’t have kids?”
These were the days when the only swimming pools were community pools that you needed to pay to get in. Woodlawn was the pool we went to once a week in the summer with the school playground program. It was a 2 mile walk, one way.
He patiently explained that he built his pool (a wooden structure 5 feet high, about 10 feet long and 8 feet wide) for exorcise, told me to never come in the yard without his invitation. I think this came after I told him about my climbing adventures on the church fence. He also invited my brother and me to come swim in his pool on a day he selected, with a written consent from my mother. We went two or three times and loved it, respected his rules and never pushed ourselves on his generosity.
His generosity expanded to giving me fresh flowers for my mother on Mother’s Day after I told him that I rode four blocks away to the cemetery to pick some flowers from the gravestones for Mom on Easter. He kindly but firmly explained why I should never, ever do that again, that if I needed flowers to come ask him. I never picked flowers from the cemetery again.
I learned early on about not belonging. It came from the 13 boys in the neighborhood and no girls until I was about 9 or 10. That’s a lot of formative years and trying to fit in. It’s what toughened me up and I learned to work harder, hiding my tears when I was hurt, couldn’t let them show, not in a bunch of boys. They would have shunned me for sure.
It was in kindergarten that I found my first friend who didn’t fit in either. He didn’t because Nathaniel was black. In a school of 7 grades, one being kindergarten, and less than 20 kids per grade, there were only 5 black kids in the school. We also had a couple Jewish families, a Mexican family, a couple Irish families, several Italian families, some Polish families, and a family from down south. A block over from my house was Gail, who was blind but she went to a special school for the blind in Trenton.
Our kindergarten class was scheduled to perform on stage at the end of the school year. We had learned to play instruments like triangles, birds (that had water in them and gave a whistle sound) and jingle bells on a string. We also had to perform a dance at which Nathaniel became my partner. I chose him because he was different. I already knew about not belonging and sensed that he knew it too. We remained friends until he moved to Trenton in the fourth or fifth grade.
Of course I did have classmates that were girlfriends even in kindergarten but they lived blocks away. I didn’t get a 2-wheeled bike until I was in second grade. Then I could ride the whole neighborhood (about 8 blocks long and 4 blocks deep surrounded by major roadways) but by then friendships had already been formed and I was always the third person out. I ventured to ride to Nathaniel’s which was on the far side of the square. He only got to my house once because he didn’t have a bike and it was a long way to walk. I pretty much remained a loner until the fourth or fifth grade when Roberta moved a block away from me.
I learned about belonging or not, about being different early in life and it remained with me until I finally embraced it as a blessing. It gave me leadership opportunities, pushed me with courage and taught me to make my own place.
Telling Your Story- Writing memoir is many things to the writer. It’s often a trip down a path that got you to where you are today, showing the result of sometimes funny things that happened to you and sometimes not so funny. You can write parts of that path, starting out at a bend in the road and ending at a bend further down the road. There is no need to try to start at the very beginning. That may overwhelm you, especially if you are older than 30 and have lived a full and varied life. I can promise you that if you write everyday, even if it is only a half hour, you will begin to remember moments you thought you had forgotten forever. It’s true, the more you write, the more you remember without effort. It just comes, sneaking up on you like a kitten trying to get your attention with a soft, tiny paw tapping on your knee.
About a year ago, I began writing about the 15 years of traveling Angelo and I did stopping at horseracing tracks from as far away as Australia, across our country, Canada, and even the Curragh in Ireland. So, look for RUNNING WITH THE HORSES, expected publishing date is August of this year.